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导演: Susan Seidelman
编剧: Barry Strugatz / Fay Weldon / Mark R. Burns
主演: 梅丽尔·斯特里普 / 罗西妮·巴尔 / 小艾德·博格里
类型: 喜剧
制片国家/地区: 美国
语言: 英语
上映日期: 1989-12-08
片长: 99 分钟
又名: 呷醋妙女郎 / 拙妻不可欺
IMDb: tt0098309



  Reading the comments for this film, two aspects appear as the concentration to the films perceived flaws. The one is a lack of sympathy for Roseanne’s character, Ruth. The other is a lack of appreciation for Meryl Streep’s performance. Having watched this film many times since it’s release, I think I can safely dispute this argument.

  This film certainly I feel has all the markings of a cult favorite. It’s dark humor, over charged performances as well as the overall look and feel wedges it someplace between “Heathers” and “Ruthless People”. More on the nuances that I feel set this film apart from others later, but lets first deal with the Roseann/Streep problem.

  Quite frankly, I see no problem. Meryl Streep’s Mary Fisher is one of the screens funniest inventions. It seems quite clear to me that she enjoyed playing this role because there is no other way such a wonderful performance could have been created. On a number of occasions, there are lengthy shots with no change of camera where she drives through a range of hilarious emotions. How she handles a scene involving a dog licking her feet while she awakes is tremendous. I feel it is one of her strongest performances; she never turns it off, and always delivers it in the correct dosage.

  The issue with Roseanne’s character, Ruth, is she is seen as manipulative, uncaring, a monster hell bent on revenge. Ruth, like everything else in this picture is a caricature. This is very much the sort of role we would expect from Roseanne, the domestic goddess taking it all a step further. True, she does wallow in a mean spirited negativity, but it results in a positive outcome for nearly all involved. She takes control of her life and liberates Linda Hunts Nurse Hopper as well as countless women through her Vespa Rose Employment Agency. She returns life to the geriatrics in her care at a nursing home. As a result of Ruth’s revenge, Mary Fisher at last becomes recognized as the serious writer she wished to from the start. We even know that Begley’s Bob Patchett gets his comeuppance, and accepts it with grace and humility.

  There are dozens of touches brought here which make this a movie so enjoyable to watch. Firstly, there is the remarkable physical change in many of the characters as the story progresses. Roseanne goes from looking like a reject from a freak show to a rather zaftig Joan Collins. Linda Hunt and Sylvia Miles likewise transform, and Streep goes from a pink, frosted confection of a romance novelist, to a black turtle necked, bespectacled writer with a gift for the “post modern metaphor”. A certain tone is set when the establishing shot of Mary Fisher “pink palace by the sea” reveals her initials, M F, emblazoned on the massive gate. Streep is given countless occasions to do great business for the camera, as in a scene where her complete lack of comprehension in doing laundry leads her to put half a gallon of bleach and several dryer sheets in a washing machine. Best of all, she manages to give the finger to the “serious critics” while on the Sally Jesse Raphale Show. I honestly don’t feel this film is as bad as many would like one to think. If you sit back, and let it unfold as I believe it was intended to, you will find a clever picture that has just the correct amount of overarched villainy and cynicism as many of our favorite black comedies.


  • 老末:89年的纽约街头,现代性带来的一切扭曲才刚刚探出头来……一个畅销书作家,一个傍富婆的会计,几个被抛弃的和被利用的,还有所谓后现代隐喻,一切才刚刚开始……
  • [已注销]:1,认识让人成长。2,不论结婚与否,独立是唯一归宿。3,即使是八十年代的电影,也没有进入女人为了男人,去彼此征战的窠臼。还是为了自己的战斗。小三也得到了成长。
  • 帕丁顿喵:想到唐英年老婆上电视节目说:只要肯回家就是好男人。这部剧里老公出轨,妻子直接报复。男人敢在外面乱搞是因为家里的老婆给他做好后勤工作,如果老婆撒手不带孩子不做家务也不照顾老人,老公就会焦头烂额了,根本没有时间精力游走于多个女人之间。越看这部剧越觉得国内那些家庭主妇蠢到没药救。
  • Eri:女の復讐劇!ブスでもめっちゃエキサイティングな人生を送れるってことかな・・・でも現実のマリーはもっと狡賢いから、そううまくいかないと思う。
  • ADZZ:构思在那个年代还算不错,胖妻的复仇,毒瘤又一次奉献了比较浮夸的喜剧表演。倒是很惊喜地看到了琳达·亨特,虽然戏份不多。
  • 大脸喵:上小学时跟姐姐在一起看的,dalian 3。那时还不识梅婶,她年轻的时候还演过这种抢人老公的绿茶婊呢~~
  • 陵夷:嘻嘻 又是这个女主 熟悉???!以及摇滚辣妈 电影频道很爱她~人是会变的,但要变得截然不同是不可能的。MF不是MISS FORTUNE而是MARY FISHER
  • 键盘打手猫猫狗:ohh Meryl Streep how I wish I could have your accent
  • gu彭彭:豆瓣里居然真的有,cctv6在2018.3.3显示是首播,所以我看到年轻粉嫩娇滴滴版的梅姨惊呆了,剧情就是典型的糟糠妻复仇记,一项一项毁掉你自认为的资产蛮爽的。
  • []:浪漫愛情小說作家瑪麗,勾引胖女人露絲的老公鮑伯後,倆人進而同居,但日常家居生活顯然不若偷情有趣,原有的優美浪漫氣氛全然褪色,生活有了180度的轉變,接著又發生一連串意想不到的事情,胖女人露絲在婚變後不僅煥然一新,並且展開復仇大計﹍﹍﹍
  • 耍流氓的地主:不要对你的粉丝抱太大期望 千万不要惹女人 确实很舞台剧视感 欢乐后叫人自省 好吧 值得原音再观 好故事
  • 22:糟糠逆袭复仇记~剧情挺有意思,看看很解闷~女主很潇洒,房子一烧,孩子往小三家一送,就开始复仇~推荐没意思了看看吧~
  • 秦诺诺:2.5星,看老婆整小三当然很过瘾但是并不讨喜,片中的每一个角色都挺让人讨厌,更别说是获得观众的认同了。。。编剧也是够扭曲的。。。
  • 多伦多香香:三观不正。渣男睡了一遛够,肥逼也够贱的。200J事业有成才能养的了什么都没有的渣男。苦了女二作家小三,为了所谓的爱情。男的一家一帮下等人,非得把你的生活搅得一团糟。说白了不就是男宠嘛!想明白就好。
  • Erised:没想到年轻时的梅丽尔斯特里普,居然还能演绎妖艳女郎这种角色,而且演的还不错,其他的角色和剧情就一般般了。
  • 虹口一条龙:钱妃在最后一节词汇课上给我们看的,我们的观后感是男人出轨,千刀万剐!另外,千万不要去惹女人,等她们怒了,就晚了。无比怀念钱妃的课!~~~~